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贝多芬（岑建勋 饰）和阿秋（吴耀汉 饰）是一对好朋友，也是搞笑鬼马的便衣搭档。他们常将警局闹得不可开交，连上司陈办（陈欣建 饰）也头疼不已。不过，自从阿秋和安娜（叶德娴 饰）结婚之后，贝多芬就变得孤苦伶仃，可怜兮兮。最终贝多芬搬到了阿秋家，和这对小夫妻凑成一个笑料百出的三人世界。 陈办不堪其扰，将二人调到素有“鲨鱼田”之称的田警司（田俊 饰）麾下，两人被好好整了一番，苦不堪言。另一方面，陈办在执行任务时被多年前的宿敌飞天蠄蟧（林正英 饰）陷害。贝多芬和阿秋深知老上司被冤枉，于是明察暗访，发誓揪出幕后真凶……

本片与同为叶念琛执导的《十分爱》及《我的最爱》合称为“爱情三部曲”，这是三部曲中的第一部。 林嘉华（方力申 饰）和邝美宝（邓丽欣 饰）决定结婚的时候，都各有自己的忧郁与不安。幸好婚后生活还算美满，大家都互相迁就。不久开宠物店的嘉华在办宠物丧礼时重遇中学补习老师Josephine（吴佩慈 饰），嘉华对她余情未了，二人常常短信交流。美宝开始对嘉华产生猜疑，更偷看他的手机。美宝想与嘉华出外旅游，希望能改善二人日渐恶劣的关系，但嘉华不同意美宝的挥霍，美宝盛怒并提出离婚。嘉华喝得耵聍大醉来到了Josephine的家中，两人发生了关系。嘉华觉得自己对不起美宝，便同意了美宝的离婚要求，美宝伤心欲绝。离婚后，美宝遇见了Philip，一个被旧报纸打碎做成了新纸的男人，两人渐渐走近。分开后的他们各自过着自己的生活，相遇的时刻发现对方还在彼此心里…… 到底谁才是谁的独家爱...

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故事发生在民国时期，在一幢空旷而又略带阴森的别墅内，某晚意外集结了一群电影工作者。原来向来跟风讨巧的投资人陆子野（陈明昊 饰）看中了一起真实的谋杀案，于是找来编剧李家辉（尹正 饰）、导演郑千里（喻恩泰 饰）、男星关静年（杨皓宇 饰）、女演员苏梦蝶（邓家佳 饰）等业内人士 ，共同谋划这部话题之作。甚至为了追求轰动性和真实性，陆子野居然想方设法把该案凶手也带来别墅。一时间，众人瞠目结舌，大惊失色。更劲爆的是他们所在的别墅正是案发现场！ 胆大妄为的一群人不得不小心翼翼重现犯罪过程，而他们似乎也走入了一张无形

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This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).