卡罗尔（布莱思·丹纳 Blythe Danner 饰）曾是一位小有名气的歌手，在舞台上享受着万众瞩目的光彩。如今，年近七十的她早已无人问津，丈夫去世后就一直过着形单影只离群索居的生活。卡罗尔一直活
阿郎（周润发 饰）年轻时作为出色的赛车手很是放荡不羁，却不妨碍富家女波波（张艾嘉 饰）对其一往情深。波波不顾家人反对，同他结婚并怀下身孕后，发现阿郎背着她还有其它女人，于是愤然离去。波波临盆之际，阿郎参加非法赛车撞死警察入狱。波波被母亲和医生欺骗婴儿夭折，后去了美国生活。出狱后，阿郎为以前行为愧疚，从孤儿院找回儿子取名“波仔”（黄坤玄 饰）。父子二人开始相依为命过日子。 十年后，已有未婚夫的波波回港又遇阿郎，得知波仔是自己的儿子后，想将其带去美国。内心仍深爱波波的阿郎为了证明自己已有彻底改变，决定不
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本片是由上海美术电影制片厂1988年出品的水墨动画电影。讲述了老琴师在归途中病倒在荒村野渡口，渔家少年留老人在自己的茅舍里歇息，老人感到宽慰。翌日，老人病体康复，取出古琴，弹奏一曲，琴声把少年引到他的
故事发生在近未来的台湾，一栋老旧的公寓中，颓废堕落的红男绿女恣意浪费青春，荒度人生。少顷，一名妙龄女子送来快递，快递中藏着从美国寄来的毒品。男男女女嗑药享受，浪荡逍遥，谁知刚才还款款动人的女子突然竟变
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Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
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