锵锵锵锵好大好污

服务升级，烟台联通创新推出急救知识培训增值服务

因“超时救援电梯困人案”，迅达电梯深圳分公司收万元罚单

贵州旅游大家谈｜“大米妈妈”的一个汉堡 正在为贵阳“上大分”

In a luxurious seaside villa, a modest young woman finds herself in the company of a strange family an unknown and wealthy father, his extravagant wife, his daughter, an ambitious woman, a rebellious teenager, and their creepy maid. Someone is lying. Between suspicions and lies, a mystery grows and the evil spreads.

真实地图去哪了？玩家感慨“真正沉浸感”正在消失

史上最狂国家！扬言3天灭苏联，1天横扫欧洲，1天踏平美国

“薪”事速办，工资跨境“秒通关”

人气女星乔晶晶（迪丽热巴 饰）与高中时单恋的学神于途（杨洋 饰），在阔别十年后，于线上再度重逢，开启了一段浪漫治愈的暖爱之旅。时光匆匆，此时于途已成为心怀梦想的航天设计师，乔晶晶也成为星光闪耀的当红女演员，二人在追梦路上努力坚守，在浪漫奇遇中相互鼓励，终成彼此荣耀！ 该剧根据顾漫创作的同名小说改编。

A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.