回粉丝：一次给你讲明白，中国为什么不需要“战略”轰炸机
冲刺三季度 决胜下半年丨深圳东风：上半年产值翻翻 力争全年产值突破3亿元
无限X Super live音乐节——石家庄今夜为摇滚沸腾！
乌克兰第聂伯罗市遭导弹袭击 已致17人死亡
Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.
品质赋能 臻享出行丨欧辉BJ6122城间客车批量交付广州禧臻
唯有人民能成山川——《在太行山上》佳作赏析
韩国大选越来越近，共同民主党不能糊涂，李在明更要清醒
石家庄市新华区秀河家园社区举办重阳节主题活动
1978年深秋，在一座依山傍水、幽静孤立的小楼里，闲居多年的李力将军热切渴望能重新出来工作。恰在此时，他与失散21年的老朋友周芹重逢了，他们回忆起往事：1949年秋，刚从美国留学归来在东方大学任英文讲